Original id:
10926
Start date:
5 November 1764
Degree of relationship to ancient play:
Distant relative
Media of production:
Opera, musical and related genres
Languages:
Italian
Ifigenia in Tauride (1764)
Companies:
Ancient works:
Information related to this production
| Person | Role | Notes |
|---|---|---|
| François André Bouqueton | Stage Combat, Duels, Fencing (master, director, choreographer of) | [lotte] |
| Pietro Paolo Carnoli | Singer | Merodate |
| Giovanni Battista Coraucci | Singer | Pilade |
| Gian Francesco de Majo (1732-1770) | Composer | |
| Agostino Egel | Scenographer | |
| Lorenzo Quaglio (1730-1805) | Scenographer | |
| Lorenzo Tonarelli (fl.1747-1771) | Singer | Oreste, sopano castrato |
| Mattia Verazi (c.1730-1794) | Librettist | |
| Dorothea Wendling (1736-1811) | Singer | Ifigenia, soprano |
| Elisabeth Wendling née Sarseli (1746-1786) | Singer | Tomiri, soprano? |
| Giovanni Battista Zonca (1728-1809) | Singer | Toante, bass |
| Venue | Festival | Dates | Notes |
|---|---|---|---|
| Hoftheater (Mannheim, Baden-Württemberg, Germany) |
How to cite this production
Ifigenia in Tauride (1764), accessed at http://www.apgrd.ox.ac.uk/productions/production/10926 <22 November 2024>